On Saturday, we had a short game night with our friends, in which we played Bora Bora for the first time, and also played Ticket To Ride, which we had not played in over a year. The food was great, as usual, with the highlights of the menu being baked tofu sandwiches and a roasted vegetable soup that combined roasted garlic, cauliflower, and potatoes into a kind of creamy stock, though the soup was vegan. The highlight of my week, though, was that I was sitting upright for longer than fifteen minutes, as my recent surgery had required that I be reclining for most of the week.
Bora Bora and the Bora Bora Effect
For the last half dozen game nights, we’ve been focusing on playing games that we already know, as it lets us play more games, but tonight we decided to try a new one. Unfortunately, the game that we learned to play was Bora Bora, which is like the game Puerto Rico—already a Machiavellian pasttime—overinflated with a half dozen house rules pulled from Terra Mystca, Power Grid, and the inscrutable and sadistic games played by Arioch and the Lords of Chaos. While usually I’m down with the maniacal laughter and hand-wringing required to appreciate the most fiendishly convoluted of strategy games, the complexities of Bora Bora were lost on me, as the poorly translated rules were bobbing around in the gas bubble trapped in my left eye by my recent retinal detachment surgery. And, as the discomfort of reading twelve pages of Ravensburger tabletop game instructions apparently exceeds the discomfort of recovering from eye surgery, none of the other players rose to the occasion, and I was still our groups’ de facto game interpreter. Not that I blame anyone for their reluctance to take command over such ambiguous rules; rules which say one thing, while the symbolic task tokens seem to say something else, so that although we played the game accurately according to the written rules, for most of the game we were uneasy with our textual intepretation of it.
When I was a gaming noob, I would sometimes confuse my skill at tabletop games as an appreciation for them, and equate a victory with liking a game, but setting up hundreds of games of Catan not only gave me an honest appreciation of that game, it also helps to peel back the veils from other games. And in this case, winning with a huge lead didn’t soften my antipathy,
And losing obviously didn’t create a bias for the game in our other players, though all of their reactions varied widely: in all six rounds of play, one player begged to be released from Bora Bora so that we could play other games; another grumbled here and there, but since then hindsight has ameliorated her opinion, so that she now says she likes it; and the third—the buyer of the game—cheered louder for the game than a Ravensburger company shill. Of all the games that we have played, this game was the most polarizing, so that I might refer to it in future installments on Board of Life as the Bora Bora Effect—which I’m basically swiping from the Rashomon Effect. If you read the Rasahomon Effect entry on Trope TV, you basically know the Bora Bora Effect: each tabletop game is actually a nexus of shared experience, so that there isn’t just one Catan, there are millions of different Catans, each nuanced differently according to the players of Catan. The main way that the Bora Bora Effect might differ from the Rashomon Effect is that the Bora Bora Effect describes games, which are closed systems, and the Rashomon Effect describes perceptual experience, which it is assumed is less ordered and open-ended. I’m going to resist the sidebar, though, and return to the Bora Bora Effect when our gaming group has a larger selection of polarizing games.
I almost called it the Boring Bora Bora Effect, but spite doesn’t really serve the spirit of inquiry.
To those of you that visit this blog for the strategic takeaways, my main recommendation to you if you want to win Bora Bora is to invest yourself in building your temple as fast as you can, bevause the building blocks of your temple are worth much more in the earlier rounds (10VP eeach) than the later rounds (7VP or 4 VP). Also, if you build the temple entirely, you get a 12 VP bonus—6VP for having a full temple and 6VP for having a finished temple—unlike most other completion bonuses, which are 6 VP. This is on top of the 24 to 60 VP that you get for selecting the Builder role cards over six successive rounds. In addition to often playing Builder, I was able to complete my temple by putting high rolled dice on the Helper role card as often as I could so that I could get the bonus resources for my temple. Other than focusing on building my temple, I used my remaining dice to diversiy my VP investments on the board. Unlike Puerto Rico, you can select a Role card more than once per round, and I did this as many times as I could, prioritizing Builder and Helper, and only investing in other roles when necessary.
Diet Ticket to Ride
Next we moved into Ticket to Ride, which, with Catan, was one of the first games that we played as a group. It was extremely pleasant to return to the world of Ticket to Ride. Something about Ticket to Ride inspires us to be nice to each other in ways that Catan doesn’t, so that while on any of three successive turns I could have interrupted another player’s route, I just didn’t feel like doing it. And, as a point of fact, no player during the entire game deliberately interrupted another’s route just for the sake of doing it. Upon reflection, I feel that we may be ruining the game by being too nice as we play it, so that we’re not really playing Ticket to Ride but a Diet version of it.
Ticket to Ride has many virtues: lightning-fast set-up; speedy play; eminently teachable; multiple winning strategies. If Ticket to Ride went for the viscera like Catan so that it was half as gripping as that game of hexes and dice, we might have played the former more than four times as a group in the last three years. While an inviting game, it’s not very compelling—at leas the way that we currently play it. Because of this, I’m considering resisting my natural inclination to be a nice Ticket to Ride player next time, and blocking every single route that I can, just to see if it makes the game more dynamic and memorable. After some more experimentation—to see how far Ticket to Ride game play can be bent—I’d like to review Ticket to Ride here on Board of Life.
My current takeaway from Ticket to Ride, when players are playing the game nicely, is that the main struggle in the mid game is knowing whether or not you should risk getting new routes, as well as knowing when you should get them or when it is too late to get them. If you’re satisfied with a low number of finished routes, then you need to switch to saving cards in order to buy the biggest routes that you can. That said, if a nice player also decides to be cautious in their investment of routes, it is a very hard game to win.
Here’s what I project: if you’re going to play Ticket to Ride in the nice way, you should invest in a sprawling, easily diversified, series of routes, and get new routes frequently in order to capitalize on that investment. If you’re not going to play Ticket to Ride in the nice way, you should finish your initial routes as quickly as possible, and then spend the rest of the game saving cards so that you can play them strategically in a manner to cut off others’ route investments. This is actually what I had planned on doing going into this game, but as everyone else was playing in the nice way, I decided to play nice as well when the time came.
On the surface, I found Bora Bora to be overcomplicated and torturous, and Ticket to Ride to be enjoyable and gratifying, but bland, but upon reflection, this game night was more fruitful than many others as it has given me pause enough to consider that games have a Rashomon-like separation of individual experiences, and that sharing of the jointly-perceived game may be as important as the playing of the game. On top of that, I have begun to deconstruct the way that we play Ticket to Ride, and I wonder whether long term enjoyment of tabletop games depends on continual examination and deconstruction of their game play.
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